Ouroboros is an homage to the Gaza Strip based on the eternal return.
Ouroboros follows a man through five different landscapes, upending mass-mediated representation of trauma.
A journey outside of time, marking the end as the beginning, exploring the subject of the eternal return and how we move forward when all is lost.
With its experimental narrative—whose central character embarks on a journey to shed his pain, only to experience it anew through an undetermined time-space continuum that is alternatively lush and beautiful, haunting and despairing, fraught with physical and historical ruin and uncertain predicaments—the film adheres to a fragmentary, dreamily desultory, aesthetically immersive structure. It is a heady mix of essayistic musings, stunning landscape studies, and a kaleidoscopic, dislocated love story, in which displacement finds multiple, compelling voices, and the rhythms clash and jostle us out of expectation. Andréa Picard
A rejection of the isolation imposed on Gaza and the stasis that those who maintain it hope to engender, the visceral conclusion emphasizes that despite its somber pretenses, Ouroboros is ultimately about hope. Daryl Meador
If it is a film about the future, as Alsharif has stated, it is one that posits a future riddled by destruction, yet whose residual scars have not stunted the capacity for growth, renewal, desire, curiosity, and furtive moments of human pleasure, intimacy and collectivity. Andréa Picard